The2-partfeature-lengthdocumentary"25zešedesátýchanebČeskoslovenskánovávlna"("25fromtheSixties,orCzechoslovakNewWave")presentsacomplexviewofthephenomenonofCzechandSlovakNewWaveintheculturalandsocialcontextofthe60's.25fundamentalfilmscommentedonbytheirmakersandfilmhistoriansofferthevieweradramaticinsightintothegoldeneraofCzechoslovakcinemaaaa　　Thedocumentaryisafollow-uponthebiographicalTVseries"Zlatášedesátá"(CzechTelevision,2009),basedonthefilmmakers'personalremembrances.Asopposedtotheseries,thedocumentarypresentstheCzechandSlovakcinemaofthe60'sinthenational,internationalandalsointer-generationalcontext.ItdescribesthewaystheNewWavecrossedtheexistingartisticboundaries,howitvariegatedtheworldcinemaandwhereitleftanineffaceableimpression.Itanalysestheworkoffilmmakersinastate-fundedcinema,underthepressureofideologicaldemandsononehandandcommerceontheother.Itpresentsthedilemmaofaman-anartist-ontheedgebetweencontradictorysocialsystemsandincongruousaestheticrequirements.Theexistentialdramaofamanactingfreelyandatthesametimemercilesslycrushedbythewheelsofthesystem.　　The60'sare,fromthispointofview,mostlyaneraoffortunatehistoricalconstellation,notonlyin-atthattime-Czechoslovakia,butonaworld-widescale.Aneraofexpectationsandupswing,butalsoaneraofexemplaryhumandecisionsandartisticpursuit.Thosearesomeofthethings"25zešedesátýchanebČeskoslovenskánovávlna"wantstocommemorate.　　Part1commentson:　　■"Slnkovsieti"("TheSuninaNet,"1962)byŠtefanUher　　■"Konkurs"("Audition,"1963)byMilošForman　　■"Křik"("TheCry,"1963)byJaromilJireš　　■"Postavakpodpírání"("JosephKilian,"1963)byPavelJuráček&JanSchmidt　　■"Každýdenodvahu"("CourageforEveryDay,"1964)byEvaldSchorm　　■"Démantynoci"("DiamondsoftheNight,"1964)byJanNěmec　　■"Intimníosvětlení"("IntimateLighting,"1966)byIvanPasser　　■"Aťžijerepublika"("LongLivetheRepublic,"1965)byKarelKachyňa　　■"Obchodnakorze"("TheShoponMainStreet,"1965)byJánKadár&ElmarKlos　　■"Romanceprokřídlovku"("RomanceforBugle,"1966)byOtakarVávra　　■"Sedmikrásky"("Daisies,"1966)byVěraChytilová　　■"Ostřesledovanévlaky"("CloselyWatchedTrains,"1966)byJiříMenzel　　Part2commentson:　　■"Kristoveroky"("ThePrimeofLife,"1967)byJurajJakubisko　　■"Stud"("Shame,"1967)byLadislavHelge　　■"Svatbajakořemen"("AHardandFastMarriage,"1967)byJiříKrejčík　　■"Draksavracia"("Dragon'sReturn,"1967)byEduardGrečner　　■"MarketaLazarová"("MarketaLazarová,"1967)byFrantišekVláčil　　■"Spřízněnivolbou"("ElectiveAffinities,"1968)byKarelVachek　　■"Spalovačmrtvol"("TheCremator,"1968)byJurajHerz　　■"Zabitáneděle"("SquanderedSunday,"1969)byDrahomíraVihanová　　■"Pasťák"("TheDecoy,"1968)byHynekBočan　　■"Případprozačínajícíhokata"("CaseforaRookieHangman,"1969)byPavelJuráček　　■"322"("322,"1969)byDušanHanák　　■"Slávnosťvbotanickejzáhrade"("CelebrationintheBotanicalGarden,"1969)byEloHavetta　　■"Všichnidobřírodáci"("AllMyGoodCountrymen,"1968)byVojtěchJasný

　　耀眼的自然风光，奥斯卡奖提名导演：马库斯依穆胡夫足迹踏遍全球，途径加利福尼亚州，瑞士，中国和澳大利亚，探寻濒临灭绝的蜜蜂种族。这是一次比以往任何有关蜜蜂主题的电影都更雄心勃勃的电影aaa　　爱因斯坦说过：如果蜜蜂绝种，人类也活不过四年。蜜蜂的末日，已近在咫尺，大陆正用人手传播花粉！纪录片名导蛰伏多年再出手，全因家族是养蜂人，爱蜂如命。严可夫走遍四大洲，揭开蜜蜂不住消失的真相。自由市场大量生产的制动一开，生产线最底层的蜜蜂最受压迫，恶菌、杂交、农药、抗生素、人为迁徙，在在都极致命。先进摄影技术令我们身处蜂巢，鑽进蜂群，更见证蜂后空中交配。犹如蜜蜂主观镜诉说的一部动听警世的《摩登时代》，去年最令人期待的纪录片。　　瑞士电影导演MarkusImhoof的纪实影片《比蜂蜜更多》（MoreThanHoney）用大量的实际素材探讨了蜜蜂死亡的原因。《比蜂蜜更多》（MoreThanHoney）于2012年8月11日在洛迦诺电影节首映影片之所以震撼，还因为它采用的原始素材有105小时之长!此外，有些蜜蜂的镜头还是由迷你蜜蜂摄影器拍摄的

　　《欢乐合唱团》可以说是这几年来最成功，也是唯一成功的有剧本音乐喜剧，除了剧集本身很吸引人之外，连带发行的专辑和随后推出的巡回演唱会都非常成功。并且它对于青少年之于音乐的狂热也很有影响，和《美国偶像》、《美国之声》等真人秀一样，让人感受到了音乐所带来的正能量ddd